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in ReviewsFilm Review: ‘Miroirs No. 3’ is a Compelling Effort from Christian Petzold
Miroirs No. 3 is one of Christian Petzold’s most compelling dramatic efforts, with an incredible performance from Paula Beer at its center. More
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in Reviews
Film Review: ‘Pompei: Below the Clouds’ is a Haunting Look at a World in Decay
Gianfranco Rosi’s Pompei: Below the Clouds is an exceptional documentary of a real haunting power. More
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in Reviews
Film Review: ‘The Strangers: Chapter 3’ Concludes One of the Worst Film Trilogies of All Time
The Strangers: Chapter 3 may cap off one of the worst trilogies ever made in Hollywood history, but at least it’s over. More
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in Reviews
Film Review: Mascha Schilinski Puts Us in Death’s Eyes with ‘Sound of Falling’
While Mascha Schilinski has strong ambitions with Sound of Falling, the end result ultimately falls short of her strong vision. More
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in Reviews
Film Review: Lav Diaz Crafts His Most Important Film with ‘Magellan’
Lav Diaz looks back on colonial history to dismantle the prevailing narrative on Ferdinand Magellan and makes his most important film in the process. More
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Film Review: ‘People We Meet on Vacation’ is Yet Another Forgettable Cog in the Streaming Algorithm
People We Meet on Vacation, while containing solid performances, is one of the most forgettable films you’ll see on a streaming service. More
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in Reviews
Film Review: Bi Gan Brings Cinema Back to Life with ‘Resurrection’
Bi Gan crafts the ultimate cinematic tapestry with ‘Resurrection’ and encourages its audience to dream once more. More
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in Reviews
Film Review: ‘The SpongeBob Movie: Search for SquarePants’ Brings Us Back to Joyous Times
The SpongeBob Movie: The Search for SquarePants brings us back to the days of Stephen Hillenburg’s golden hour of the titular character. More
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in Reviews
Film Review: ‘Oh. What. Fun.’ Isn’t Destined to be a Future Christmas Classic
While Oh. What. Fun. boasts an incredible cast of A-listers, the film itself won’t be remembered as a future Christmas classic. More
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in Reviews
Film Review: ‘Left-Handed Girl’ is an Assured Solo Debut from Shih-Ching Tsou
Shih Ching-Tsou makes a bold artistic statement with her first solo outing as a filmmaker, “Left-Handed Girl.” More
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FNC 2025 Review: Radu Jude Writes the Ultimate Suicide Note to Cinema with ‘Dracula’
Radu Jude provokes the audience and holds them in contempt for 170 minutes with his “adaptation” of Bram Stoker’s Dracula. More
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FNC 2025 Review: ‘Kontinental ‘25’ is a Subdued, But Always Compelling, Effort from Radu Jude
Radu Jude gets less visually provocative in Kontinental ’25, but still maintains his acerbic sense of sociopolitical cogency. More
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