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in Interviews, TV, TV InterviewsInterview: Emmy Nominated ‘Welcome to Wrexham’ Editors on The Secret to Sports Storytelling
Michael Anthony Brown and Michael Oliver are two of the most renowned picture editors in sports. Brown and his co-editors won the Emmy in 2023 for his work on the first season of FX’s Welcome to Wrexham, so it is no surprise that the addition of Oliver – a five-time Sports Emmy winner – led […] More
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in Interviews, TV
Interview: ‘Dancing With The Stars’ Editors on Honoring the Late Len Goodman
“No lie, I cried pretty much during every edit session,” says editor Laurens Van Charante of Dancing With The Stars‘ 32nd season on ABC. “Seeing people get emotional is as infectious as seeing people laugh.” Alongside editor Ben Bulatao, ACE, Van Charante cut together the show’s moving tribute to longtime judge Len Goodman, who passed […] More
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in Interviews, TV
Interview: The ‘Vanderpump Villa’ Editing Team on Turning Raw Footage Into Comedy
Hulu’s Vanderpump Villa just might be one of the funniest reality TV shows in recent memory, following the chaotic employees at the luxurious French château of the same name. But beyond hilarious stars like Lisa Vanderpump and Marciano Brunette, much of the show’s comedy stems from its stellar editing team, including Kelley Tourangeau, Kara Torsney-Weir, […] More
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in Interviews, TV
Interview: ‘Only Murders in the Building’ Editors Shelly Westerman and Payton Koch on Season 3
Shelly Westerman, ACE and Payton Koch are more than just co-editors on Only Murders in the Building. Westerman — a veteran of the industry, whose previous collaborators include both Todd Haynes and James L. Brooks — immediately noticed a kindred spirit in Koch when he was just a PA on Ryan Murphy and Evan Romansky‘s […] More
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in Interviews
Interview: Editors Geoff O’Brien and Pierre Takal Discuss ‘Framing Britney Spears’
When it comes to filmmaking, few components are more crucial to the finished work than editing. Think for a moment about what those individuals are actually doing; taking dozens of hours of raw footage and making frame-by-frame, often zero-sum decisions on what to present, in what order, and for how long. And we’re just talking […] More
