The 96th Academy Awards have only been over for a few hours as of the writing of this piece. So, I’m still very much in the thick of it. At the same time, isn’t that the best time to talk about the show itself? The Oscar ceremony is its own beast, to say the least. There will be more chatter about the winners, the highlights, the lowlights, and more. Today, however, it’s the telecast itself, along with what it entailed, including the winning films and artists.
First thing’s first, the winners pretty much rocked. These are the films that, in part, took home Academy Awards: American Fiction, Anatomy of a Fall, Barbie, Godzilla Minus One, The Holdovers, Oppenheimer, and Poor Things. That’s not even all of the honored movies, but what a crop that is. I’d argue it might even be among the best group of rewarded flicks that the Academy has gone for in many years.

Beyond that, we had first time winners in folks like Robert Downey Jr., Cillian Murphy, Christopher Nolan, and Hoyte van Hoytema. Now, admittedly they all came from Oppenheimer and its mostly dominant showing, but that takes nothing away from these exciting artists now having Oscars (two in Nolan’s case) on their mantles.
Luckily, it also wasn’t a show completely void of surprises and upsets. We saw The Zone of Interest upset Oppenheimer in Best Sound, while The Boy and the Heron surprised Spider-Man: Across the Spider-Verse in Best Animated Feature. The other big surprise was in the most competitive of the big categories, where a good night for Poor Things and another Martin Scorsese flick being shut out in Killers of the Flower Moon culminated in Emma Stone taking Best Actress over Lily Gladstone. It was an exciting photo finish there, regardless of who you were pulling for.
Jimmy Kimmel remains a thoroughly fine host, though I think he and John Cena made for a great comedy bit surrounding Best Costume Design. In fact, I think the laughs mostly landed last night, including some of the presenter banter. The best there, for me, was Emily Blunt and Ryan Gosling duking it out over Barbenheimer.
More than anything else, the show was one that was enjoyable to watch. I loved the former winners presenting to the nominees. I wish we could do that every year, with the prior year’s winner joining four others to fete the nominated performers. I know it’ll likely come up every so often going forward, but it’s a keeper to me. Things also seemed to zip along, though nothing really felt too shortchanged, with one exception.
Of course, it wasn’t perfect, and the low point of the show again seemed to be how the In Memoriam segment has handled. For some reason, the powers that be seem to think that the performance accompanying the names and pictures of those we lost is of equal importance. It’s not and they’re not, lovely as their performances always are. The focus should be on honoring those we’ve lost. I’d love to disabuse the producers of the notion that this segment needs tinkering with. Just make it respectful and centered on the missing.
All in all, it was a welcome step in the right direction for the Oscars. I hope the ratings are good, because there’s a lot of lessons that the Academy should take from last night. We’ll see if they do, but it goes without saying that they should. More to come on the 96th Academy Awards all this week, but that was my two cents on the actual Oscar telecast. Feel free to chime in with your take in the comments…
What did you think of the Oscar telecast? Let us know!





A few hiccups aside, I would actually declare this the overall best-executed ceremony since the 81st Academy Awards fifteen years ago. My five favorite moments of the Oscars last night:
• Jonathan Glazer‘s Best International Film acceptance speech. No, I wasn’t as taken by The Zone of Interest as a lot of other people were. But I was genuinely wondering whether he would Go There if he took to the stage, and I must commend him for his courage in doing so with that huge public platform he was afforded. What is the point of making a movie like that, if you don’t use it to draw attention to the present? Also, not really related to the telecast, but shame on Abraham Foxman anyway for tweeting a frankly slanderous lie about Glazer. A childish, disgraceful, cowardly response to a courageous speech.
• I normally can’t stand biopic mimicry coasting to an Academy Award win, doubly so if it appears to be “riding the coattails” of a Best Picture frontrunner, and yet, in this instance, Cillian Murphy‘s win for Oppenheimer is, in my eyes, second only to Anthony Hopkins in The Father as the best and most deserving winner of that award in… at least the last ten years. Maybe even the last twenty. And, as a nice bonus, it’s for a performance directed by his longtime director-collaborator.
• Wes Anderson is finally an Academy Award winner! Yay!
• Donald Trump almost certainly watched the telecast, and that “isn’t it past your jail time?” joke almost certainly kept him up all night in a seething rage.
• Ryan Gosling‘s knockout, awesome, bring-down-the-house live rendition of “I’m Just Ken.” Easily the best “show”-related part of the entire telecast. marred slightly by…
My three least-favorite moments of the Oscars last night:
• Ryan Gosling and “I’m Just Ken” both losing the Oscars they were up for. Hopefully that amazing live performance left the voters feeling no small measure of embarrassment.
• For some reason, I felt really bad for Lily Gladstone losing Best Lead Actress to Emma Stone, even though I personally wouldn’t have voted for either of them if I had a ballot to cast. Maybe it’s because Stone already has one and I’m always a proponent of “spreading the wealth” with these things. Maybe it’s because I had way more issues with Poor Things as a movie than Killers of the Flower Moon. Or maybe I’m just as “Woke” as Elon Musk would accuse me of being and I was low-key hoping history would be made. But the result unexpectedly bummed me out. Hopefully Gladstone’s getting a lot of phone calls right now.
• “Instead of making one $200 million movie, try making twenty $10 million movies” is such a fantastic call-out to make in the middle of an acceptance speech, and god damn does it irk me that it was uttered by someone winning an Oscar for writing a screenplay I utterly loathed. Looking back at the last couple of winners, Best Adapted Screenplay might be the category where AMPAS and I have become the most out-of-sync.
Interesting thoughts, as always!
[…] Last Night’s Oscar Ceremony Had Strong Winners, An Upset or Two, and a Show We Largely Wanted … […]
Yes I really didn’t have a chance to watch much, other things going on at the time.
I share Robert’s feelings about sharing the wealth. I have always believed in not a lot of repeat winners. Choosing amongst five vastly different performers it’s hard to say which does it better.
I hope the others especially Lily get another chance but I think a total shut out of Killers of The Flower Moon is unfortunate for many reasons .
I have noticed supporting actress is often a film’s sole Oscar . It’s interesting to me at least how often that happens.
Duly noted!
[…] Last Night’s Oscar Ceremony Had Strong Winners, An Upset or Two, and a Show We Largely Wanted … […]