Welcome back to my Home Movies! Today, there really isn’t much hitting shelves, so I got a little unconventional with my top pick, looking to the film festival world of last year. This week also includes two Criterion releases, so read on for more…
Well, I don’t have a specific top pick today. Instead, I’m looking back on the film festival circuit from last year to recommend some of my favorite flicks that I saw at New York, Sundance, Toronto, and Tribeca. Those include Belfast, CODA, Mass, Pleasure, The Power of the Dog, Red Rocket, Roadrunner: A Film About Anthony Bourdain, Spencer, Titane, and The Worst Person in the World. There’s something for almost everyone there, so you really can’t go wrong, whatever you choose!

Ali & Ava
Chicago Fire: Season Ten (TV)
Mr. Malcolm’s List
My Hero Academia: World Heroes’ Mission (TV)
NCIS: Los Angeles – The Thirteenth Season (TV)
Buck and the Preacher
From The Criterion Collection: “With his rousingly entertaining directorial debut, Sidney Poitier, alongside actor-producer Harry Belafonte, helped rewrite the history of the western, bringing Black heroes to a genre in which they had always been sorely underrepresented. Combining boisterous buddy comedy with blistering, Black Power–era political fury, Poitier and a marvelously mischievous Belafonte star as a tough and taciturn wagon master and an unscrupulous, pistol-packing “preacher,” who join forces in order to take on the white bounty hunters threatening a westward-bound caravan of people recently emancipated from slavery. A superbly crafted revisionist landmark, Buck and the Preacher subverts Hollywood conventions at every turn and reclaims the western genre in the name of Black liberation.”
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Hôtel du Nord
From The Criterion Collection: “Anguished young lovers, fallen women, wanted criminals, and all manner of social castoffs: these are the disreputable denizens of the Hôtel du Nord, an atmospherically seedy boardinghouse on the bustling banks of the Canal Saint-Martin in Paris, whose lives collide in Marcel Carné’s bittersweet rhapsody of romance, betrayal, revelry, and violence. Featuring evocative production design by the famed Alexandre Trauner and a colorful ensemble cast of some of classical French cinema’s most illustrious stars—including Annabella, Louis Jouvet, and a divinely dissolute Arletty in one of her most iconic roles—Hôtel du Nord is a jewel of a film and a sublime exemplar of Carné’s celebrated poetics, imbuing working-class lives and dramas with a touching nobility.”
Stay tuned for more next week…






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